I was sick that day, but I got there early and got the drums tweaked with my tech. I had been working for Babyface (Kenny Edmunds), and he called me for this session. This was recorded in 1997 at Record Plant, in the back room in Hollywood. You can listen to We are the world right here: They all fled out and we cut a number one record. Quincy looked at me and said: “ JR, let’s get this going!” I basically said: “ Everyone, get the fuck out, let us record first and then you all can come back in!”. After we had learned the song around the piano with Lionel and Michael, the media kept swarming. There were so many media types in the studio with us, that it was very chaotic. Everything else was layered from the bottom up. So we cut with a trio – piano, bass and drums. This was the main rhythm section for Quincy. It was a great but small rhythm section with Greg Phillinganes on keys and the late Louis Johnson on bass. We are the world still holds the record for most sales. We had been recording over 10+ records at that time, and this one was very special. The very famous vocals were recorded one week later at A&M studios. So when Kenny bought the building, I was very familiar with the location. When I first joined Rufus we were on ABC/Dunhill. This was the original ABC/Dunhill records building. This was recorded at Kenny Rodgers studio, Lionshare in studio A. You can listen to I’m so exited right here: I got the chance with I’m so excited and Slow hand. I first saw the Pointer Sisters in 1972 when they opened up for Chicago at Veterans Memorial Coliseum in Des Moines, Iowa. I remember hearing the demo and thinking that “…this is funky!” However, after playing the song with the cats, it all made sense. This was a great band with Nate Watts on bass, Tim May, Paul Jackson and Ira Newborn on guitars, and with John Barnes on keys. I received a call from Richard Perry, asking me to come down to the studio a record for the Pointer Sisters. Unfortunately, the studio no longer exists, but it’s ghosts sit right in the middle of Paramount. Some couples are banking on classics swaying the public vote in their favour, as Deborah Meaden and Robin Cha Cha to Aretha Franklin's anthemic 'Respect' and Dave Myers and Karen dance the American Smooth to 'How Do You Like Your Eggs in the Morning?' by Dean Martin and Helen O'Connell.Įlsewhere, Ashley Taylor Dawson and Ola will be also performing the American Smooth to 'Beyond the Sea' by Robbie Williams and Patrick Robinson and Anya will be performing the Tango to the Michael Jackson hit 'Beat It'.This was recorded at Studio 55, owned by Richard Perry and located on Melrose Avenue in Hollywood. Mark Benton and Iveta will Salsa to 'Bom Bom' by Sam and the Womp, while Susanna Reid and Kevin are performing the Tango to Bruno Mars' 'Locked Out Of Heaven'. Other pairs hoping current tracks will improve their chances include fashion designer Julien Macdonald and professional dancer Janette, who are performing the Tango to Lady Gaga's 'Applause'. This weekend's Strictly Come Dancing will see the 15 celebrity couples face the public vote for the first time, as they dance to songs from Daft Punk to Michael Jackson.Ĭountdown's Rachel Riley and her partner Pasha lead the pack where recent chart favourites are concerned, and will Salsa to Daft Punk's World-wide hit 'Get Lucky'.
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